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Review of The Plan on PlayStation 2, Microsoft Windows

by Gemma Looksby Gemma Looksby photo Aug 2025
Cover image of The Plan on PS2
Gamefings Score: 5/10
Platform: PS2 PS2 logo
Released: 27 Aug 2025
Genre: Action / Stealth
Developer: Eko Software
Publisher: Monte Cristo (FRA/EU PC), Ghostlight (EU PS2), Crave Entertainment (NA PS2)

Introduction

Imagine a heist movie with too many plot twists, one unreliable getaway driver, and a soundtrack made of muffled footsteps and the occasional "did I just trigger the alarm?" beep. That, in a nutshell, is Th3 Plan - a French-made stealth-action title from Eko Software that dresses itself in classy Rembrandt heist clothes and then stumbles around the museum corridors in socks. The premise is deliciously cinematic: three professional thieves (Robert, Alan and Stephen Foster) get hired by the mafia to nick two Rembrandt paintings in exchange for a big shiny diamond. Foster bails on half the job, one painting is stolen, one is left behind, friends are betrayed, revenge is plotted, and the result is a globe-trotting, train-hopping, museum-raiding romp that wants to feel like Ocean's Eleven but occasionally plays like a clumsy school play. If you're the sort of person who enjoys scheming, swapping disguises and pulling off synchronized distractions while shouting "cover me" at your AI teammates who don't always listen, Th3 Plan has the bones of something you'll like. If you're asking for silky gameplay, flawless pacing, and rock-solid mechanics though, be prepared for a somewhat bumpy heist vehicle. The game was released on PC and PlayStation 2 in 2006 (with a slightly delayed North American PS2 arrival in 2007), and critics greeted it with the kind of shrug that translates into a Metacritic score of 50/100. Which is to say: interesting idea, questionable execution, and somehow entertaining in short bursts.

Gameplay

Th3 Plan approaches stealth with a bit of an RPG-ish hat on: you don't play one hero from start to finish, you juggle a small ensemble. The core trio - Robert, Alan and Valerie - are joined by a specialist roster (hacker Bernie, demolitionist Gary, close-combat Martin and sniper Nina) as the plot grows and the jobs get juicier. The neat twist is that the three main characters' views are shown on-screen at the same time, like a paranoid director staging three simultaneous shots. The character you actively control takes up the bulk of the screen, while the others provide smaller windows of peripheral action. It's a cinematic idea - you can feel like a mastermind orchestrating chaos - and it makes for some tense multi-angle puzzles when you're coordinating team moves. Switching between characters is at the heart of the experience. It's less about twitchy shooter reflexes and more about timing: hack the terminal with Bernie, distract a guard with Robert, slip through the ventilation shaft with Valerie - all while keeping an eye on the other windows to make sure no one makes a noise that'll ruin the tableau. Missions range from undercover train encounters in Prague to full-on museum infiltration and a final villa blow-up that plays out like a B-movie finale. The game likes to reward planning and patience, and it will occasionally nod to more methodical stealth staples: avoid the spotlight, time your moves, and don't rely on blind heroics. The AI teammates aren't Oscar winners, though. They follow basic cues, but their pathing and responses can be hit-or-miss, which sometimes turns a carefully choreographed heist into improv theatre. The controls can feel a bit coarse compared to later stealth classics, and camera quirks (common on PS2-era titles) lead to a few moments where you'll swear the museum is trying to squish you through a wall. There's single-player only, but the way the screen splits up the action gives a faint illusion of a multi-player heist movie playing out on one couch. Narratively, the game moves through a revenge-fueled arc: Foster double-crosses the team, gets cozy with the mafia, and the ragtag crew decides ruining him will be just the thing to restore their street cred. The plot isn't Shakespeare, but it's serviceable and comes with enough chases, betrayals, and planted explosives to keep a heist fan humming. If you're into managing a small crew and watching plans that are clever on paper fall hilariously apart in practice, the gameplay loop will scratch that itch.

Graphics

Visuals sit firmly in the PS2-era aesthetic. The environments (museums, train interiors, shadowy villas) are recognizably atmospheric and often cleverly designed for stealth - plenty of corners to hide in and vents to crawl through - but the texture detail and character models don't exactly set the world on fire. Animations are competent when the cast is sneaking about, but things get stiff during cutscenes or melee exchanges, which makes dramatic moments feel a bit like claymation trying to emote. Lighting plays a functional role; shadows are your friends and the lighting design does the job of creating tension. That said, the overall graphical polish feels middling even for its time: bit of pop-in here, occasional rough edges there, and face models that will make you nostalgic for earlier 2000s polygon charm. The multiple views-on-one-screen gimmick looks neat and often helps sell the idea that multiple threads of the plan are running together, but it also shrinks visual clarity, so sometimes you're squinting at a postage-stamp guard wondering if you've been detected. In short: atmospheric and workable, not gorgeous or timeless.

Conclusion

Th3 Plan is a heist movie you can play - and a reasonably fun one if you lower your expectations and lean into the charm of an ambitious indie dev trying to wrangle cinematic stealth on budget hardware. Its strengths are clear: a tasty caper premise, a roster of specialists with useful skills, and an unusual UI choice that shows multiple character perspectives at once. These give every mission a director's-cut feel, and when the systems click, the game delivers satisfying 'I pulled off the impossible' moments. Its weaknesses are equally obvious: inconsistent AI, clunky controls at times, and a visual presentation that never quite graduates from competent to captivating. Critics were mercilessly lukewarm (Metacritic's 50/100), and scores ranging from high-30s to low-60s reflect a title that's full of good intentions but mixed follow-through. This is the sort of game you might find at the back of a bargain bin and then spend a weekend enjoying for its heist movie thrills rather than its technical achievements. If you're into heist scenarios, like juggling a small crew, and don't mind some rough edges, Th3 Plan is worth a rent or a cheap pickup. If you demand smooth mechanics and polished presentation above all else, this plan might be better left on the drawing board. Either way, there's a guilty-pleasure joy to watching your poorly rehearsed caper come together - explosives, double-crosses and all - and Th3 Plan delivers that in spades, even if the spades are a little worn around the edges.

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