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Review of Anima: Gate of Memories 1 & 2 Remaster on Nintendo Switch 2

by Tanya Krane Tanya Krane photo Jun 2016
Cover image of Anima: Gate of Memories 1 & 2 Remaster on Switch 2
Gamefings Score: 7/10
Platform: Switch 2 Switch 2 logo
Released: 03 Jun 2016
Genre: Action Role-playing
Developer: Anima Project
Publisher: Badland Indie

Introduction

Anima: Gate of Memories wears its tabletop origins like a cloak stitched from moody artbook pages and late-night brainstorming sessions. The remaster bundling '1 & 2' on the Nintendo Switch 2 promises more polished frame rates and portable drama, but the true draw here-if you like your RPGs with existential hangovers-is the strange, symbiotic relationship between the two central figures: The Bearer and Ergo Mundus. This is not a bromance; it is an identity crisis with combat combos. The game is an open-world action-RPG where choice matters for endings, and you spend most of it toggling between two voices in your head when things get violent. If you enjoy character-driven stories that ask who you are when your memories are the prize, this remaster scratches that itch better than the original did, even if some rough edges still poke through the upholstery.

Gameplay

At face value, Gate of Memories is a third-person action RPG with exploration, loot-ish progression, and a fair share of button-mashing against oddly sculpted foes. Mechanically the game leans on its signature idea: two characters, one body. You directly control both The Bearer and Ergo Mundus but only one can actively fight at any given moment; swapping between them mid-combat lets you chain different moves and momentarily become a walking thematic essay. But the gameplay is a Trojan horse for storytelling. The Bearer is the ostensible player character, the physical vessel wandering Gaia to reclaim fractured memories and choose which tasks to complete. On the opposite shoulder sits Ergo Mundus, an entity that is less of a sidekick and more of a philosophical parasite-he argues, cajoles, and occasionally provides the sort of tactical insight that makes you suspect he reads more books than your average NPC. The toggling mechanic represents that tug-of-war between flesh and metaphysics. In fights Ergo's presence often amplifies abilities, turning a messy brawl into a choreographed argument where each attack is a retort. The Bearer's arc is pragmatic and elegiac. Their quest is presented as a retrieval of lost memories, but those memories are also moral checkpoints. As a player you pick which tasks to pursue and thereby define the Bearer's moral outline: a scavenger for truth, a reluctant protector, or a pragmatic opportunist. The branching endings deliver on that setup; choices feel consequential because they alter which memories are recovered and how the Bearer understands them. This gives the exploration a melancholic weight-every detour, every side mission, becomes a little excavation of identity. Ergo Mundus is the game's narrative wildcard. In early scenes he delights in misdirection, delivering snappy commentary that undercuts the Bearer's stoicism. Over time, though, his role reveals layers: he is not merely comic relief or a damage-boosting talisman, but a mirror that asks whether memory defines the self or if the self selects memories to stay sane. The arc between the two characters is less about external villainy and more like a slow-burning therapy session where the therapist sometimes throws a fireball. Repeated switching in combat is not just tactical; it reads as a conversation where one voice interrupts the other mid-sentence to land a critical hit. The remaster does a decent job of smoothing the control roughness that sometimes turned fights into camera-aggravation marathons in the original. Camera complaints linger-there are still times when the camera decides it wants personal space and you'll find yourself apologizing to it-but the improved lock-on responsiveness and slightly quicker input registration on the Switch 2 controller make the friction less punishing. Tutorials remain terse and occasionally sanctimonious; the game trusts you to figure some ergonomics out by getting punched in the face until you learn to switch characters like it's bilingual combat. Narrative pacing is intentionally uneven because the plot wants you to explore. For players invested in character work, those lulls are a feature rather than a bug: each quiet zone lets the Bearer and Ergo exchange lines that deepen their psychological tug-of-war. Voice acting, which drew criticism in the original release, still has moments of wooden delivery-these are most obvious when emotional beats demand subtlety-but the soundtrack by Damian Sanchez and Marc Celma continues to carry scenes in places where actors cannot. Musically, the score elevates small scenes into worthy epilogues, and in combat it thickens the atmosphere so the characters' internal arguments feel as important as the external ones.

Graphics

The environments have always been one of the game's more persuasive selling points: sweeping vistas of Gaia that remind you the world existed before the battle menu and will likely outlive your save file. The remaster sharpens textures and pulls anti-aliasing levels out of the fuzzy memory bin so foliage reads less like smeared paint. Character models still flirt with uncanny valley occasionally-the Bearer's expression when presented with a moral choice is a study in stoicism bordering on consternation-but atmospheric lighting and improved post-process effects on the Switch 2 lend the game a storybook sheen. Combat animations benefit from smoother interpolation, making the dance between The Bearer and Ergo Mundus read as choreographed rather than chaotic. When the world is at rest, it's genuinely pretty; when the world is on fire, the visual clarity helps you notice the little narrative cues tucked into set pieces.

Conclusion

Gate of Memories 1 & 2 Remaster is a character-driven curiosity that trades flashy innovation for the slower thrill of existential companionship. It earns points for ambition: the dual-character mechanic is not just a gimmick but a central narrative engine that interrogates identity, memory, and agency. The Bearer and Ergo Mundus form a duo that's funny, frustrating, and frequently profound-like arguing philosophy with a friend who is also a supernaturally opinionated sword. The game still stumbles where the original did: occasional camera tantrums, patchy voice acting, and tutorials that assume telepathy. These flaws lower the ceiling of what could have been a more pristine experience, but the remaster irons out enough of the roughness to make the emotional beats land more often than not. If you care more about who the characters are and what their choices mean than you do about flawless combat cinematography, this is a remaster worth your time on the Switch 2. Play it for the conversations-literal and metaphorical-and enjoy watching a game that remembers to ask big questions while you practice switching personas mid-combo.

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